Everybody loves a great T-shirt design. I understand I do. That’s why I’ve experienced this business for 15 years (but who’s counting). Just what exactly makes for a great design? What makes a T-shirt that individuals will want to wear over and over again?
A number of the greatest designs are simple. But even the easiest designs should do some things right- and prevent the most frequent mistakes- to achieve that greatness.
In this post, I’m going to outline the very best ten things you ought to be considering as you design your printed masterpiece. Some of these might seem to be obvious, others could be news for you. Read on to find out best t shirt printing singapore.
Justin in Sales can’t believe the other Justin has such a huge logo on his shirt. Not only would it look ridiculous, but it’s uncomfortable with all that ink on the fabric.
There could be things in life where size will not matter. In T-shirt design, it matters a lot. Yet, most people tend to pick standard sizing the majority of the time.
Here’s finished .: size should be decided based on the type of the design, and the properties of the garment to be printed. There must be some thought placed into it.
With regards to the shape of your design, it can look much bigger than it will. For instance, square or circular shapes have a tendency to look better when they are sized smaller than standard, like in the image with two Jutins above.
Some people print their design at home on regular paper and hold it up with their shirt to get a concept of how it will look, and I fully support repeating this. I also support making a superhero costume out of household items while you’re at it.
Another thing to consider: Does one size does fit all? With regards to the size selection of your garments, and the size of your order, you might consider by using a reduced size print for small items, such as females and youth.
Things that are too big look funny.
Yet another thing to consider is the style of garments or what to be printed, which might have a limited print area. For instance, hoodies with front pockets have a max height of 10″, plus some toddler tees max out of them costing only 6″wide.
Important thing, size matters. It could make or break a design. Would you like a shirt this is the first to be chosen from a fresh load of laundry, or might it be the last one left in the drawer when the hamper is full?
When in doubt, ask your merchant or the Art Department about what the perfect size of your print should be. We’re always pleased to help you select.
Print placement may also be conflated with location, but really it’s the precise measurement of where to print the look within the positioning.
Your design could be so amazing that this turns heads- but get the placement wrong, and heads will be turning for the incorrect reason. A typical mistake is the belly print, which is never flattering. Within an upcoming post, I will discuss this unfortunate placement in detail.
Nobody wants their print down there.
Should your design is a standard print location such as full front or full back, our production team will make sure the placement is also standard, and can work across your various garment types and sizes.
If you request an alternate placement, let us know the specifics and our art team can make sure your request is within the limits, demonstrate on the proof how it’ll look, and relay those instructions to our Production Dept.
In two upcoming blogs, I will review the most notable standard print locations, and suggest a couple of alternative print locations that will set your design apart.
3. Typography & Fonts
Priscilna in Shipping is happy about the type styling on her behalf T-shirt, while her double is disappointed with having less effort placed into her design.
Typography, in its most basic form, is the visual element of the written word. It’s not the written text itself- but anytime text is printed or displayed, it involves some degree of typography.
With regards to design, typography is the art of typesetting or arranging enter a way which makes sense, along with choosing typefaces (fonts), making certain the letter spacing and line spacing is correct, and the way it interacts with the graphic elements is aesthetically pleasing.
The look on the left is all-caps within a font which should never be all-caps. The other design uses three different fonts, adding variation and visual appeal.
Your font choice can say a lot about just how your design is received, and convey certain ideas or evoke emotions that may not be intentional. From a lifetime of looking at logos, graphics and ads, we’ve all been conditioned to attribute certain characteristics to certain fonts.
For example, if your T-shirt design is designed for a family reunion, the font “Batman Forever” may not be the ultimate way to convey that. Or if you’re going for a more corporate or professional look, you should probably avoid “Comic Sans”.
Real talk, you should always avoid Comic Sans.
Some standard fonts will continue to work well for almost anything. Other fonts is only going to have specific uses in specific contexts. We get lots of designs where in fact the font name starts with “A” or “B” which tells us that you didn’t spend a lot of time picking your font. Explore your alternatives!
Sometimes you have to look at lots of fonts before you choose the correct one.
In the event that you remember only 1 rule of typography, make it this one: never use more than three different fonts in a design. The type police should come after you.
Want a crash course in understanding typography? Practical Typography is a great little site filled with good information that can reply to your most elementary questions upon this topic.
Michel from Production is wearing a T-shirt with a well-designed composition which is making fun of the other Michel wearing a poorly-designed composition.
Composition is something you may remember from your high school art class. Every design has elements that are arranged with regards to each other, which relation is what makes up the overall composition.
Not that kind of composition.
Oftentimes, what makes for a well-designed composition can be considered a matter of opinion. But there are basic composition rules that can improve a design dramatically when followed. There are lots of resources online if you want to learn to improve your composition game.On the left, a well-designed composition. Around the right, not really much.
A typical mistake is elements that are too spaced out, or too bunched up. Or the entire design can be off balance, drawing the attention to the incorrect place. Or- and become especially careful here- the type could be read within the wrong order.Don’t be happy… worry.
Yeah. So if you’re dealing with a variety of elements, put time and effort into the composition. Show a few people and get feedback. Worry first, and you could be happy later.
5. Image Quality
James from Art is stoked to truly have a nice clean print that originates from a high-quality art file, as the other James is wondering what happened along with his.
That is one of the most typical problems with our customer-submitted art files. Images are too often “low resolution”. Quite simply, they don’t have sufficient pixel information to provide us the quality and details that produce once and for all print quality.
While you submit art files that are poor quality, typically we’ll inform you right away and have if you have anything better. If not, there are a few things we can do to repair a file. Other times there’s not much that you can do, so that crappy file could become an only-slightly-less crappy print.
Images from the net have a tendency to be too small. They’re typically 72 dpi, rather than at full size to be printed. Ideally, images should be 200 dpi or more at full size.
Another problem with low-res images is they are compressed, sometimes more often than once, and have visible artifacts from that compression. Sometimes you can’t see these artifacts if you don’t zoom in.Low-res files can be frustrating.
If you submit a vector file, the resolution doesn’t matter because vector files scale to print correctly to any size without losing quality. That’s why we love them the most. Vector files are usually PDF, EPS, AI, or SVG file types.
Other issues of image quality are photographs of photographs. Obviously, there will be some issues: blurriness, awkward cropping, graininess. Contrary to popular belief, we sometimes get a photo of an phone with a screenshot of your photo over a computer. Did you follow that? It’s like the Inception of submitted art files.
Ideally, photographs should be scanned at a higher resolution for best results. We evaluate all submitted artwork for quality, so email it to us and we’ll inform you if it’ll work, if we can clean it up, or we are in need of something better.
Anthony is trying to provide a fist bump to his double, however the other Anthony is too busy racking your brains on what went wrong along with his color choices.
Color choices are some of the most important decisions; not only for design reasons, but if you wish screen printing, making certain the job fits your financial budget. More colors = more cost per item. Certainly, you may always buy more shirts to diminish your cost per item. Spend more to save lots of more. Sales logic.
With screen printing, in some cases, we may use a technique called halftones, which is actually tiny dots that can make 3 or 4 colors appear to be a lot more. It’s like magic. There’s a lot more to it, and I will be engaging in that in a future post. For the present time, ask your merchant if your design qualifies for halftones.Halftones are printing magic.
You ought to be considering colors as soon as you start designing. Colors can in fact have specific effects on people, find out about the science! Advertisers are well alert to this fact, and you ought to be too.
You can choose from our wide range of in-house ink colors available in the Design Studio, or if you need specific colors for your brand, we offer accurate Pantone color matching. Have a look at a few examples on the RushOrderTees Ink Labs Instagram.
You could use Pantone’s official Color of the entire year for 2019, “Living Coral, which we mixed here. And you might want to stay away from “Opaque Couché” …the world’s ugliest color (although this is decided by way of a marketing company in Australia, so don’t feel too bad if that’s your chosen color).
If your print method is DTG (direct-to-garment) rather than screen printing, then we have been printing in “full color” so the quantity of colors when it comes to the budget is no longer a consideration. This helps it be a fantastic choice for full-color photographs. However the way the design looks due to color choices is obviously a consideration, aesthetically speaking.
It can be tempting to add lots of colors in an effort to make the look more vivid, but this can backfire. Use way too many colors and your design can start looking ugly, as there’s more chance for clashing.In cases like this, three colors are the ideal volume of colors. Any less, and we lose a Brazilian flag color. Any more is unnecessary and can begin looking clownish.
There’s more often than not going to be an excellent range of colors or a tiny range to choose from, depending on what you may want for the official logo or even to properly represent a graphic. Try to reach your design goals whatsoever amount of colors possible, as well as your shirt is going to be worn more of then than if it had all the colors of the rainbow.
In another post, I’ll dive deeper into color theory, complementary colors, black and white, tonal ranges, and using “simulated process” to attain a full-color look with a restricted quantity of spot colors.
Colleen from Sales is thrilled with her low-contrast print, as the other Colleen is jealous: her print has minimal contrast against her shirt, rendering it hard to see.
Contrast is an integral part of color choice, but it’s an extremely specific and important part to consider. Precisely what is contrast? It’s the degree of visual difference between the darker and lighter elements of a graphic, or the way shades of colors match each other.
The strongest contrast is actually going to be black-on-white or vice versa. And undoubtedly, bright colors on the dark background are going to be high contrast.Sometimes you want not-so-subtle.
The look itself can have too much to do with the overall contrast, so far as the content and what colors hold the most surface or are the most dominant. A crazy, eye-catching image along with saturated colors will complement way towards increasing the contrast against a neutral background.
Achieving the highest contrast possible is not necessarily the target. Many people like the subtle look of an low-contrast print. I’m a huge fan myself. Nonetheless it can be considered a fine line between low-contrast and no-contrast, so it’s important to be careful. This example design shows the difference.
On the left is our low-contrast example, using Black ink and Columbia Blue. In the right is our no-contrast example, using Charcoal Gray and Slate Blue.
We sometimes print black shirts with black ink when the customer wants an extremely subtle look, but this is rare. If you are trying to set up something like that, make sure you tell us that it’s your intention, so your order doesn’t get flagged for correction.
Some typical contrast mistakes we see: Navy on black shirts, Light Gray ink on sport gray shirts, and Ice Gray ink on white shirts. Many of these are believed low contrast and we don’t recommend these combinations.
Inversion is something fairly common that should be done, usually when printing white ink on black garments. Unless you’re some type of goth art band, you almost certainly don’t want your photo looking like an x-ray.